Cristian Mandeal
Next Appearance
State Philharmonic Orchestra Botosani
Remus Azoiței, violin
Mozart
Overture to Der Schauspieldirektor (The Impresario), K. 486
Bruch
Violin Concerto No. 1 in G minor, Op. 26
Beethoven
Symphony No. 2 in D major, Op.
,Oltenia" State Philharmonic Orchestra
Remus Azoiței, violin
Enescu
Prélude à l’unisson
Porumbescu
Balada for Violin and Orchestra
Sarasate
Carmen Fantasy
Soloist: Remus Azoiței
Mussorgsky / Ravel
Pictures at an Exhibition
Moldova Philharmonic Orchestra and Chorus
Beethoven
Overture to The Creatures of Prometheus, Op. 43
Beethoven
Symphony No. 1 in C major, Op. 21
Symphony No. 3 in E-flat major, Op. 55 “Eroica”
Kragujevac Chamber Orchestra
Beethoven
Egmont Overture, Op. 84
Mozart
Symphony No. 39 in E-flat major, K. 543
Mendelssohn
Symphony No. 4 in A major, Op. 90 “Italian”
Brașov Philharmonic
Oxana Corjos, piano
Brahms
Piano Concerto No. 1 in D minor, Op. 15
Oxana Corjos, piano
Wagner
Good Friday Spell from Parsifal
Richard Strauss
Death and Transfiguration, Op. 24
Featured Release
News
A conductor still active at over 80 years of age. A truly unique perspective on the relationship between the individual and his calling, one that naturally raises questions about the driving forces and dynamics of this bond—with music, with the audience, but, above all, with himself. After all, what exactly drives an octogenarian conductor to choose the hustle and bustle of concert life over a well-deserved retirement?
Always radiating balance, a sober warmth, classicism, and introspection, Cristian Mandeal allows you to discover in everything he does a personality for whom music is not merely a vocation, but part of his very nature. This is the only way to explain, for example, his return to the work of a composer like Anton Bruckner, with whose music he has had a connection for decades—a connection that runs like a common thread through the fabric of his artistic concerns:
The distinctive feature of a Bruckner symphony is this cohesion, this connection he forges between humanity and the Divine. Perhaps this is the difficult hurdle that every listener must overcome when engaging with a Bruckner symphony. One should not necessarily expect approaches directly addressed to humanity, to the individual, but rather try to transcend a certain individuality that each of us possesses and understand things on a level of communion and a more metaphysical perception. – Cristian Mandeal
This album offers an experience of balance, composure, reflection, discretion, and humility toward the score, with the National Radio Orchestra serving as a mature and stylistically perfect partner for Cristian Mandeal’s entire artistic vision.
(Excerpts from the album presentation by musicologist Ştefan Costache)